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I want a crummy tin of Vaseline.

I don’t use Vaseline for anything. I’ve always hated the way it feels as any sort of lip balm. I don’t even own a jar of Vaseline. But every time I see this little tin of Vaseline Pink Bubbly, I totally want one!! Why? Because it’s pink and black and pretty and cute and girly. If you’re looking for a tin of your own, they’re only available at Selfridges in the UK. Well played, Vaseline. Well played.

Posh advertising

Proof that high end products and clever advertising are not mutually exclusive.

Famous last words

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There are some things in this world I will never understand.
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People who wait until at the turnstile to look for their SmartTrip card 
(Extra points if you put your bag on the turnstile during your search!)
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Why anyone feels the need to remake The Wizard of Oz 
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The Three Stooges
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Other minor things like cricket, meatloaf, and time zones*
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But the number one thing I will never understand is people who think they can text and drive. In recent years we’ve seen several campaigns trying to warn people of the dangers of texting and driving, each with varying approaches. There was the emotional, heartfelt appeal by Oprah. There was a super-graphic PSA in the UK. And a pretty amusing body bag commercial in Minnesota.
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Even automakers are getting the word out about texting and driving. Last month Fiat in Brazil launched a series of print ads based on the last words of famous artists, politicians, scientists, and humanitarians. They’re blunt. They’re to the point. And that’s why I like them.
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DON’T TEXT AND DRIVE.

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*Cricket is like a really long baseball game, and I hate baseball. Meatloaf is gross, especially with that nasty baked on crust of ketchup. Blech! Time zones mess with my head. Shannon spent the majority of our flight to Hawaii trying to explain the International Date Line to me. Trust me, I would make a lousy Time Lord.

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Adopt a shelter pet, no Sarah McLachlan required.

Nothing against Sarah, but I can’t even listen to Angel after those ASPCA commercials. And don’t get me started on the Pedigree Adoption Drive commercial, that one puts me right over the edge. It seems that the only way to get us humans to consider adopting a shelter pet is via a box of Kleenex after a tearjerker of a commercial — or is it?
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I came across these ads for TheShelterPetProject.org and laughed out loud. Yeah, that’s right, I laughed. I always love seeing a totally different take on something and these ads do just that. My pick for best of the bunch is definitely Sand Castles. Check them out for yourself.
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Zombie apocalypse!

The undead are having a moment. No matter where you turn, you just can’t escape the slow-moving zombie horde. It wasn’t too long ago that vampires were having their moment in the sun. (Sparkly Twihard pun intended.) Supposedly werewolves were going to be the new vampires and angels were going to the new werewolves — yes, angels. What happened that we’re now stuck on zombies? Well, it may have all started with radiation from a satellite that recently fell back to Earth, but that’s another story. In the meantime, check out these two direct mailers from Westlake Hardware.
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It’s almost Halloween. Time for a zombie ad!!

We’ve all seen before and after ads. It’s a common technique in advertising.

Before: Zit faced teenager
After: A perfect peaches and cream complexion!

Before: Overweight housewife
After: MILF in a bikini!

Before: Normal looking guy
After: Zombie Boy!!

WHAT?!??

Meet Rico Genest, also known as Rico the Zombie or Zombie Boy. Eighty percent of Rico’s body is covered with tattoos of a skeleton and decomposing corpse as part of a full-body tattoo project.

Meet Dermablend. If you’re not familiar with Dermablend, it’s a line of professional makeup known for its ability to cover just about anything, and still be wearable.

Bring the two together and you have one crazy-amazing before and after ad.

And yes, there is a behind the scenes video as well.

I love the fact that the video is done backwards. We see Rico as a normal looking guy first — which is the whole point of Dermablend. You’re not supposed to know it’s there. This wouldn’t have nearly the impact if we saw the process then saw the reveal. It’s one more thing to consider when you’re working on any creative involving a timeline. Where’s your greatest point of impact, and what’s happening at that point?

It’s what’s inside that counts.

I’ve seen several ads as of late that deal with inside versus outside. For those unfamiliar with the concept, watch this episode of Monsterpiece Theater. Now let’s look at some ads.

Yin Yang Martial Arts School, Slovenia

What’s inside is more than what you see outside. I’m in print ad heaven! Love. These. Ads. This is such a clever way to show the intangible benefits of martial arts training.

Nutripro Cachupin, Chile

What’s inside doesn’t have to cost a lot. Somewhat the opposite of the Yin Yang ads, these use a similar approach to demonstrate value.

Pro Infirmis, Switzerland


What’s outside shouldn’t matter at all. WOW! Such a simple concept, but such a powerful message.

So the next time you hit a wall brainstorming, try the usual tricks — look at the problem from the opposite angle, make the problem bigger, make the problem smaller — and try looking at it from the inside versus the outside.

Whiskey Tango Foxtrot

The following spots defy explanation, which is probably why I’m inexplicably drawn to them. Judge for yourself.

Bug spray ads shall now cease for they have been done to perfection. 

No idea what kind of critter this is, but I’m fairly certain you shouldn’t feed him after midnight.

Things you never considered, but should, when selecting ceiling board.

And because Christmas ads seem to start earlier and earlier every year, the strangest holiday ad you’ll ever see. 

Sometimes the ad just writes itself

Most people think of creative as, well, creating — commercials, catchy slogans, logos, print ads, etc. But sometimes creative is about recognizing an opportunity. Take for example the following spot for Alamo Drafthouse Cinema.

Alamo Drafthouse is a small chain of movie theaters in Texas, with one lone theater in Virginia. They have a strict no tolerance rule when it comes to cellphones. Talk or text in a theater, and they kick you out.

When one patron didn’t follow the rules, she was indeed kicked out of the theater. She then proceeded to call and leave an angry voicemail. Alamo Drafthouse turned the voicemail into a viral ad for the theater.

The production of the ad was cheap as chips — super simple text over the voicemail recording. As for the voicemail, you couldn’t write a more dead on strategic ad for Alamo Drafthouse. Take this line, for example —

“I’ve texted in all the other theaters in Austin, and no one ever gave a f— about what me — I was doin’ on my f—— phone.”

What does this line communicate to the listener? One, you don’t want to be in a theater with this person. Two, every other theater in Austin let her get away with it except Alamo Drafthouse. BAM! An angry voicemail just set Alamo Drafthouse apart from every other theater out there.

So, before you start cooking up creative from scratch, do your research. Even if the ad doesn’t write itself, more knowledge makes for better ads.

And should I find myself in the land of the burnt orange, I’m going to make sure I catch a film at Alamo Drafthouse. Let’s just hope the theater doesn’t have a no tolerance policy when it comes to crimson Sooner shirts. BOOMER!

Herding cats, hard enough without the U-turn

I’ve done a lot of political advertising. I never planned on doing political advertising, but I was sucked into the vortex shortly after moving to D.C. I can tell you one thing, if people hate advertising, then people absolutely loathe political advertising.
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Working in political advertising can be a brutal. You’re basically trying to get everyone to show up on the same day and remember your brand on what amounts to a test — no looking off of someone else’s paper, no shelf talker to remind them. And even if you increase your “market share” from say 20% to 40%, a jump that would make any general advertiser wet their pants, you lose. Anything less than 51% is failure. This isn’t about sales. It’s about sheer numbers.
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From a strategic standpoint, this is straight line territory. It’s hard enough to get a group of people going in one direction, let alone people who aren’t that interested in what you have to say. The last thing you want to do is get everyone from point A to point B then try and orchestrate a turn. So, when I saw what should be a great Canadian campaign about the importance of voting for candidates that support education, little grey cells exploded.
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First the good —
I love the overall look of the campaign. This doesn’t look political. It has an edge to it. The dramatic voice over against the ridiculous footage of the kids is great. I see one of these spots, and I want to see the rest. That’s saying a lot for any ad, but it’s really saying something for a political ad.
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Now the bad —
Why the U-turn from “Vote Against Kids” to “Refuse to Vote Against Kids?” It’s completely unnecessary. Keep the creative, and end the spots with something along the lines of “Give kids what they really deserve. You’re vote.” Then tell me why I should vote for education, and where I can go to get information. No U-turn required.
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