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VOTE!

Having spent a good chunk of my career in politics, I can tell you this ad is very true and very funny. I’m a firm believer in “If you don’t vote, you lose the right to complain.” I voted today. How about you?

Adopt a shelter pet, no Sarah McLachlan required.

Nothing against Sarah, but I can’t even listen to Angel after those ASPCA commercials. And don’t get me started on the Pedigree Adoption Drive commercial, that one puts me right over the edge. It seems that the only way to get us humans to consider adopting a shelter pet is via a box of Kleenex after a tearjerker of a commercial — or is it?
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I came across these ads for TheShelterPetProject.org and laughed out loud. Yeah, that’s right, I laughed. I always love seeing a totally different take on something and these ads do just that. My pick for best of the bunch is definitely Sand Castles. Check them out for yourself.
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It’s almost Halloween. Time for a zombie ad!!

We’ve all seen before and after ads. It’s a common technique in advertising.

Before: Zit faced teenager
After: A perfect peaches and cream complexion!

Before: Overweight housewife
After: MILF in a bikini!

Before: Normal looking guy
After: Zombie Boy!!

WHAT?!??

Meet Rico Genest, also known as Rico the Zombie or Zombie Boy. Eighty percent of Rico’s body is covered with tattoos of a skeleton and decomposing corpse as part of a full-body tattoo project.

Meet Dermablend. If you’re not familiar with Dermablend, it’s a line of professional makeup known for its ability to cover just about anything, and still be wearable.

Bring the two together and you have one crazy-amazing before and after ad.

And yes, there is a behind the scenes video as well.

I love the fact that the video is done backwards. We see Rico as a normal looking guy first — which is the whole point of Dermablend. You’re not supposed to know it’s there. This wouldn’t have nearly the impact if we saw the process then saw the reveal. It’s one more thing to consider when you’re working on any creative involving a timeline. Where’s your greatest point of impact, and what’s happening at that point?

It’s what’s inside that counts.

I’ve seen several ads as of late that deal with inside versus outside. For those unfamiliar with the concept, watch this episode of Monsterpiece Theater. Now let’s look at some ads.

Yin Yang Martial Arts School, Slovenia

What’s inside is more than what you see outside. I’m in print ad heaven! Love. These. Ads. This is such a clever way to show the intangible benefits of martial arts training.

Nutripro Cachupin, Chile

What’s inside doesn’t have to cost a lot. Somewhat the opposite of the Yin Yang ads, these use a similar approach to demonstrate value.

Pro Infirmis, Switzerland


What’s outside shouldn’t matter at all. WOW! Such a simple concept, but such a powerful message.

So the next time you hit a wall brainstorming, try the usual tricks — look at the problem from the opposite angle, make the problem bigger, make the problem smaller — and try looking at it from the inside versus the outside.

Whiskey Tango Foxtrot

The following spots defy explanation, which is probably why I’m inexplicably drawn to them. Judge for yourself.

Bug spray ads shall now cease for they have been done to perfection. 

No idea what kind of critter this is, but I’m fairly certain you shouldn’t feed him after midnight.

Things you never considered, but should, when selecting ceiling board.

And because Christmas ads seem to start earlier and earlier every year, the strangest holiday ad you’ll ever see. 

Sometimes the ad just writes itself

Most people think of creative as, well, creating — commercials, catchy slogans, logos, print ads, etc. But sometimes creative is about recognizing an opportunity. Take for example the following spot for Alamo Drafthouse Cinema.

Alamo Drafthouse is a small chain of movie theaters in Texas, with one lone theater in Virginia. They have a strict no tolerance rule when it comes to cellphones. Talk or text in a theater, and they kick you out.

When one patron didn’t follow the rules, she was indeed kicked out of the theater. She then proceeded to call and leave an angry voicemail. Alamo Drafthouse turned the voicemail into a viral ad for the theater.

The production of the ad was cheap as chips — super simple text over the voicemail recording. As for the voicemail, you couldn’t write a more dead on strategic ad for Alamo Drafthouse. Take this line, for example —

“I’ve texted in all the other theaters in Austin, and no one ever gave a f— about what me — I was doin’ on my f—— phone.”

What does this line communicate to the listener? One, you don’t want to be in a theater with this person. Two, every other theater in Austin let her get away with it except Alamo Drafthouse. BAM! An angry voicemail just set Alamo Drafthouse apart from every other theater out there.

So, before you start cooking up creative from scratch, do your research. Even if the ad doesn’t write itself, more knowledge makes for better ads.

And should I find myself in the land of the burnt orange, I’m going to make sure I catch a film at Alamo Drafthouse. Let’s just hope the theater doesn’t have a no tolerance policy when it comes to crimson Sooner shirts. BOOMER!

Herding cats, hard enough without the U-turn

I’ve done a lot of political advertising. I never planned on doing political advertising, but I was sucked into the vortex shortly after moving to D.C. I can tell you one thing, if people hate advertising, then people absolutely loathe political advertising.
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Working in political advertising can be a brutal. You’re basically trying to get everyone to show up on the same day and remember your brand on what amounts to a test — no looking off of someone else’s paper, no shelf talker to remind them. And even if you increase your “market share” from say 20% to 40%, a jump that would make any general advertiser wet their pants, you lose. Anything less than 51% is failure. This isn’t about sales. It’s about sheer numbers.
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From a strategic standpoint, this is straight line territory. It’s hard enough to get a group of people going in one direction, let alone people who aren’t that interested in what you have to say. The last thing you want to do is get everyone from point A to point B then try and orchestrate a turn. So, when I saw what should be a great Canadian campaign about the importance of voting for candidates that support education, little grey cells exploded.
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First the good —
I love the overall look of the campaign. This doesn’t look political. It has an edge to it. The dramatic voice over against the ridiculous footage of the kids is great. I see one of these spots, and I want to see the rest. That’s saying a lot for any ad, but it’s really saying something for a political ad.
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Now the bad —
Why the U-turn from “Vote Against Kids” to “Refuse to Vote Against Kids?” It’s completely unnecessary. Keep the creative, and end the spots with something along the lines of “Give kids what they really deserve. You’re vote.” Then tell me why I should vote for education, and where I can go to get information. No U-turn required.

What’s missing from the new K-Y Intense ad?

Men, misters, gentlemen, sirs — they’re nowhere to be found in the new K-Y Intense ad. And a few women I know would argue that nothing is missing, thank you very much.

Keep your eyes open for the new K-Y Intense commercial airing September 5th. Why? Because it’s the first K-Y ad featuring a lesbian couple.

A spokesman for the brand said, “Since 1998, KY-Brand has sponsored dozens of LBGT and HIV/AIDS organizations and has also participated at LGBT Pride celebrations and other community events.”

Gay male couples have been featured in print advertising since 2008 and now the brand is continuing its tradition of support and visibility with advertising that is inclusive of lesbian couples.”

K-Y Intense is a product specifically aimed at women. Why wouldn’t you market it to couples comprised of only women? Bravo! Well done!! And it’s about time.

Hot enough for ya?

Actual screen shot from my iPhone

 

It may sound cliche, but having spent most of my life in Oklahoma and almost ten years now in Washington, D.C., I think I’m qualified to say it — it’s not the heat it’s the humidity. And trust me, D.C. is beyond humid in the summertime. Needless to say, ice cream is a big seller this time of year. So why not check out some of the strangest ice cream ads ever?

It’s Korean. It’s weirdly amusing, and that’s really about all I know.

A very clever — and a bit risque — ice cream ad from across the pond.

The only ice cream commercial I’ve ever seen that involves nose picking.

Leave it to LBJ to combine ice cream and nuclear fallout. And is this kid chowing down on this ice cream cone or what?

Aunt Flo is back in town.

You knew this day would come — at some point on this blog we were going to have to discuss the marketing and advertising of — you know — girl stuff. Being as advertising history was made this week, I say why not now. Behold, I give you the history making ad.
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See that red dot? Yep, that’s it. Up until now, feminine hygiene products have been demonstrated and marketed with some sort of weird blue liquid. But an actual red dot? That my friends is history in the making.
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Seeing American advertising history unfold before my eyes got me wondering. What do feminine hygiene product ads look like in other countries? Tell Aunt Flo to pack her bags. We’re going on a trip.
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France: Tampax
The scene before the opening scene of Jaws.
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OB: Switzerland
Two things that should never, EVER be combined — tampons and Twilight.
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Australia: Kotex
The Kotex beaver??! Are they serious?? OMG, I’M DYING!! Feminine hygiene ads shall now cease, for they have been done to perfection.
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‘Cause you know you want more of the Kotex beaver. The original spot is here.
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